Wooden Cities is a collective of performers and composers based in Buffalo, NY. The group frequently collaborates with and draws musicians from Buffalo's rich local scene, as well as other artists from throughout Western New York and the wider United States. Click here for a list of artists no longer active within the group, but with whom the ensemble still frequently collaborates.
As a performer, educator, and composer, Brendan Fitzgerald has presented music throughout the United States East Coast for the past decade. As a percussionist and student of Tom Kolor, Brendan has been part of performances and recordings across popular and art genres, premiering dozens of new works over his career. He has served as performer, producer, and songwriter for Auger and Doe/Buck while also directing and arranging for his own contemporary chamber ensemble, Broken Branches. Having earned a Masters in Conducting Performance at the University at Buffalo studying with Tony Arnold and Daniel Bassin, he currently serves as the conductor of the New Buffalo Jazz Octet, guest conductor of the University at Buffalo Symphony Orchestra, and continues to present research on John Zorn at conferences and workshops. Now as Director of Instrumental Music at Canisius High School, Brendan's latest work focuses on presenting and educating audiences on contemporary music through his chamber ensemble, Wooden Cities.
Evan Courtin is a violinist from Buffalo, New York. He began playing violin at the age of 5 and hasn't stopped since. After briefly attending the Mannes College of Music in New York City, he moved back to Buffalo where he helped form Peanut Brittle Satellite, a progressive rock band that was renowned for their unique harmonies and intrinsic rhythms. In 2008 they were awarded a Buffalo Music Award for Best New Original Music. In 2009 he composed/produced/scripted Oscar and the Hooker, which premiered at the Buffalo Infringement Festival that year, where it was named Best New Musical. In 2011 he assisted in the formation of Wooden Cities and has since enjoyed playing the music composed by his peers.
He is currently a member of Shubbaluliuma (aka Will Folk For Food), a trio of 2 violins and percussion that serves to proliferate the music of Béla Bartók and Eastern European folk music in general. In 2012 he was bestowed a Western New York Music Award as one of the region's best instrumentalists. Additionally, he performs with the Buffalo State College Philharmonia, and a band called Ramforinkus.
Esin Gündüz is a composer and singer. Currently residing in Buffalo NY, while luckily pursuing a PhD in music composition under the tutelage of David Felder, she is having her music played by small chamber ensembles which often include herself as a performer. Her music has been performed at June in Buffalo (2013), SoundSCAPE (2009), The 1st Viola and Chamber Music Festival (2010), and more… As a singer for the MUJE big band, she performed at the Montreux Jazz Festival, and the Jazz a Juan Festival, Nice. As a performer and improvisor, she is one of the founders of the unique improvisational trio resAUnance, and is also a proud member of Wooden Cities of Buffalo.
Originally from Istanbul, Esin holds a BA in jazz performance and composition from Istanbul Bilgi University, and a MA in music composition from Marshall University. Additionally, she coordinated two chamber music festivals, as well as a new music ensemble in Istanbul. She is a proud member of Donne in Musica, PEO and Opus Zero Inc. She is a dedicated voice-teacher, incorporating techniques and understandings from yoga in her teaching, in connection to her fascination with nature's -and humans'- (sound-like) flexibility for adapting and ever-changing!
Ethan Hayden was born in Poughkeepsie, NY, but raised primarily in the North Texas area. In 2008, he graduated from the University of North Texas with B.M.s in Composition and Theory, and recently received his M.A. in composition from the University at Buffalo. His principal composition teachers include Cort Lippe, Jeffrey Stadelman, Joseph Klein, Andrew May, and David Bithell. Still at UB, he is currently a Ph.D. Candidate, in the process of completing his dissertation. He recently joined the Digital Music Production faculty at Buffalo State College.
Ethan is the Associate Director of Wooden Cities, a Buffalo-based contemporary music ensemble, and is active as a performer, regularly presenting new and experimental works for voice. His book on Rós's ( ) for the 33⅓ series was published by Bloomsbury in August 2014.
Nathan Heidelberger composes diverse instrumental and vocal music. He is currently a Presidential Fellow and PhD candidate at the University at Buffalo, and he also holds undergraduate degrees in Composition and English from Oberlin College and Conservatory. His primary teachers have included David Felder, Lewis Nielson, and Richard Carrick. He has participated in the Aspen Music Festival and the Copland House Cultivate Institute, and this summer he will be a composition fellow at the Tanglewood Music Center. Sometimes a pianist and horn player, Nathan focuses on performing the contemporary repertoire. He is a founding member of Wooden Cities.
Megan Kyle performs as a soloist, chamber musician, and orchestral musician throughout the Western New York region, tackling standard repertoire and new music with equal enthusiasm. She currently plays second oboe in the Erie Chamber Orchestra and is a founding member of both the oboe/cello duo Parvenue and the Buffalo Bach Project. Megan has performed with the Slee Sinfonietta, the Buffalo Improvisers Orchestra, the Buffalo Philharmonic Orchestra, the Rochester Philharmonic Orchestra, Symphoria in Syracuse, the Omaha Symphony, and the New World Symphony in Miami, among others. She was previously a member of the Civic Orchestra of Chicago. She teaches oboe at Houghton College and SUNY Geneseo.
Megan earned a Master of Music in Oboe Performance from DePaul University (2013), as well as a B.M. in Oboe Performance and B.A. in English from Oberlin Conservatory and College (2011). Her principal teachers have included Eugene Izotov, Robert Walters, Alex Klein, and Louis Rosenblatt.
Over the past four years pianist Michael McNeill has become an integral part of the creative music scene in Buffalo, participating in jazz projects ranging from the solidly mainstream to the outer reaches of the avant-garde, as well as playing in the Wooden Cities New Music Collective. McNeill also performs with and composes for the New Buffalo Jazz Octet, "...a veritable who's who list of killer regional jazz players" (The Buffalo News). Passageways, McNeill's debut CD as a leader, features renowned improvisers Ken Filiano (bass) and Phil Haynes (drums). Notable performances in the 2012-2013 concert season include an original film score with the New Buffalo Jazz Octet, a trio concert in New York City with Phil Haynes and bassist Drew Gress, and a Buffalo concert with the virtuoso bass trombonist David Taylor.
Currently a Ph.D. student at SUNY Buffalo, studying with David Felder under a Presidential Fellowship, Zane Merritt received his M.M. in composition from Butler University under Michael Schelle and James Aikman. He has performed in a variety of venues and recently performed his own work alongside pieces by Elliott Carter and Hifumi Shimoyama in Nagoya, Japan. He performs frequently as an improviser.
Katie Weissman began playing the cello at the age of three after seeing Yo-Yo Ma appear on Sesame St. She holds a Bachelors of Music in Cello Performance from Boston University, and her principal teachers include Feng Hew, Michael Reynolds, Amanda Truelove, and Roman Mekinulov. Katie is one half of the cello and oboe duo Parvenue, cellist and singer in the chamber-folk band Tiny Rhymes, and Part Time Professor of Cello and Philharmonia Section Leader and Buffalo State College. She can also be heard on many projects as a member of English Rose Orchestrations, an innovative composition and recording team run out of Buffalo's own GCR Audio.
Professor, University at Buffalo
Meridian Arts Ensemble